Nicole in Rome, January 2011. As always, click to enlarge.
Archive for June, 2011
An actual study in the peer-reviewed Acta Neurochirurgica, called “Traumatic brain injuries in illustrated literature: experience from a series of over 700 head injuries in the Asterix comic books”. Click here for the paper. Cracked me up.
This is the summary
The goal of the present study was to analyze the epidemiology and specific risk factors of traumatic brain injury (TBI) in the Asterix illustrated comic books. Among the illustrated literature, TBI is a predominating injury pattern.
A retrospective analysis of TBI in all 34 Asterix comic books was performed by examining the initial neurological status and signs of TBI. Clinical data were correlated to information regarding the trauma mechanism, the sociocultural background of victims and offenders, and the circumstances of the traumata, to identify specific risk factors.
Seven hundred and four TBIs were identified. The majority of persons involved were adult and male. The major cause of trauma was assault (98.8%). Traumata were classified to be severe in over 50% (GCS 3–8). Different neurological deficits and signs of basal skull fractures were identified. Although over half of head-injury victims had a severe initial impairment of consciousness, no case of death or permanent neurological deficit was found. The largest group of head-injured characters was constituted by Romans (63.9%), while Gauls caused nearly 90% of the TBIs. A helmet had been worn by 70.5% of victims but had been lost in the vast majority of cases (87.7%). In 83% of cases, TBIs were caused under the influence of a doping agent called “the magic potion”.
Although over half of patients had an initially severe impairment of consciousness after TBI, no permanent deficit could be found. Roman nationality, hypoglossal paresis, lost helmet, and ingestion of the magic potion were significantly correlated with severe initial impairment of consciousness (p ≤ 0.05).
The Misconception: When your beliefs are challenged with facts, you alter your opinions and incorporate the new information into your thinking.
The Truth: When your deepest convictions are challenged by contradictory evidence, your beliefs get stronger.
Geoffrey Munro at the University of California and Peter Ditto at Kent State University concocted a series of fake scientific studies in 1997. One set of studies said homosexuality was probably a mental illness. The other set suggested homosexuality was normal and natural. They then separated subjects into two groups; one group said they believed homosexuality was a mental illness and one did not. Each group then read the fake studies full of pretend facts and figures suggesting their worldview was wrong. On either side of the issue, after reading studies which did not support their beliefs, most people didn’t report an epiphany, a realization they’ve been wrong all these years. Instead, they said the issue was something science couldn’t understand. When asked about other topics later on, like spanking or astrology, these same people said they no longer trusted research to determine the truth. Rather than shed their belief and face facts, they rejected science altogether.
But as “First Class” roars to its final climatic scene, it appeals to an insidious suspension of disbelief; the heroic mutants of America, bravely opposing bigotry and fear, are revealed as not so much a spectrum of humankind, but as Eagle Scouts from Mayfield. Thus, “First Class” proves itself not merely an incredible film, but an incredible work of American historical fiction. Here is a period piece for our postracial times — in the era of Ella Baker and the Rev. Dr. Martin Luther King Jr., the most powerful adversaries of spectacular apartheid are a team of enlightened white dudes. (…) When we left the theater, my son and I knew we had experienced the most thrilling movie of the summer. “First Class” is narratively lean, beautifully acted and, at all the right moments, visually stunning. But I had experienced something else. My son is 10 and a romantic, as all 10-year-olds surely have the right to be. How then do I speak to him of this world’s masterminds who render you a supporting actor in your own story? How do I speak of the Sentinels whose eyes melt history, until the world forgets that in 1962, the quintessential mutants of America were black?
After having capped an excursus into the work of Walcott last week, I am back on my Metaphysical Poets-trip. Today, the great Thomas Traherne.
Thomas Traherne: Shadows in the Water
In unexperienced infancy
Many a sweet mistake doth lie:
Mistake though false, intending true;
A seeming somewhat more than view;
That doth instruct the mind
In things that lie behind,
And many secrets to us show
Which afterwards we come to know.
Thus did I by the water’s brink
Another world beneath me think;
And while the lofty spacious skies
Reversèd there, abused mine eyes,
I fancied other feet
Came mine to touch or meet;
As by some puddle I did play
Another world within it lay.
Beneath the water people drowned,
Yet with another heaven crowned,
In spacious regions seemed to go
As freely moving to and fro:
In bright and open space
I saw their very face;
Eyes, hands, and feet they had like mine;
Another sun did with them shine.
‘Twas strange that people there should walk,
And yet I could not hear them talk:
That through a little watery chink,
Which one dry ox or horse might drink,
We other worlds should see,
Yet not admitted be;
And other confines there behold
Of light and darkness, heat and cold.
I called them oft, but called in vain;
No speeches we could entertain:
Yet did I there expect to find
Some other world, to please my mind.
I plainly saw by these
A new antipodes,
Whom, though they were so plainly seen,
A film kept off that stood between.
By walking men’s reversèd feet
I chanced another world to meet;
Though it did not to view exceed
A phantom, ’tis a world indeed;
Where skies beneath us shine,
And earth by art divine
Another face presents below,
Where people’s feet against ours go.
Within the regions of the air,
Compassed about with heavens fair,
Great tracts of land there may be found
Enriched with fields and fertile ground;
Where many numerous hosts
In those far distant coasts,
For other great and glorious ends
Inhabit, my yet unknown friends.
O ye that stand upon the brink,
Whom I so near me through the chink
With wonder see: what faces there,
Whose feet, whose bodies, do ye wear?
I my companions see
In you another me.
They seemèd others, but are we;
Our second selves these shadows be.
Look how far off those lower skies
Extend themselves! scarce with mine eyes
I can them reach. O ye my friends,
What secret borders on those ends?
Are lofty heavens hurled
‘Bout your inferior world?
Are yet the representatives
Of other peoples’ distant lives?
Of all the playmates which I knew
That here I do the image view
In other selves, what can it mean?
But that below the purling stream
Some unknown joys there be
Laid up in store for me;
To which I shall, when that thin skin
Is broken, be admitted in.
Mary Beard, classics professor at Cambridge, briefly blogs about “the modern obsession with imprisonment”.
That’s where the “bang em up” mentality seems hopelessly misguided. Most websites today have deplored the idea that a rapist should be let out in under 2 years. WOT 15 months for rape?
No-one stopped to say.. well 15 months in the nick, that means total loss of job, probable mess of any family relationship, disintegration of family itself (ie punishment for them), plus the conversion of a wrongdoer into a hardened criminal (that’s what prisons do). Well done judicial system. Cant we think of something more humane and better and more designed to stop them doing it again? Isnt there something we can do better for the victim as well as the perpetrator? …
[O]verall it has been a bad week for those of us who worry about the modern obsession with imprisonment. The Today Programme also revealed that the maximum penalty for passing off penalty points for speeding onto someone else was life imprisonment (it’s perverting the course of justice).
Have we all lost our marbles?