Berryman on Pound

If Browning makes the fastest verse in English, Pound makes the slowest, the most discrete and suave. He once said of a story in Dubliners that it was something better than a story, it was “a vivid waiting,” and the phrase yields much of his own quality. There is restlessness, but the art of the poet places itself, above all, immediately and mysteriously at the service of the passive and the elegiac, the nostalgic. The true ascendancy of this personality over any other is suggested by a singular fact: the degree in which the mantic character is absent from his poetry. He looks ahead indeed, looks ahead eagerly, but he does not feel ahead; he feels back. (…) It is the poetry of a late craftsman; of an expatriate of a failing culture

from John Berryman’s essay “The Poetry of Ezra Pound”, collected in Berryman’s indispensable The Freedom of the Poet.

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