Grigorcea, Bachmann and Germany’s Next Idol

tddl If you follow me on twitter and you wondered about the deluge of German tweets on Friday and Saturday under the hashtag #tddl, let me explain. I was live-tweeting the strangest of events.

Once a year, something fairly unique happens in Klagenfurt, Austria. On a stage, a writer will read a 25-minute long prose(ish) text, which can be a short story, an excerpt from a novel, or just an exercise in playfulness. All of the texts have to be unpublished, all have to be originally written in German (no translations). Also on stage: 9 to 7 literary critics who, as soon as the writer finishes reading, will immediately critique the text they just heard (and read; they have paper copies). Sometimes they are harsh, sometimes not, Frequently they argue among each other. The writer has to sit at his desk for the whole discussion, without being allowed a voice in it. This whole thing is repeated 18 to 14 times over the course of three days. On the fourth day, 4 prizes are handed out, three of them voted on by the critics (again, votes that happen live on stage), one voted on by the public. All of this is transmitted live on public TV and draws a wide audience.

This, a kind of “German language’s next (literary) Idol” setup, is an actually rather venerable tradition that was instituted in 1977. It’s referred to as the “Bachmannpreis”, an award created in memory of the great Austrian writer Ingeborg Bachmann, who was born in Klagenfurt. The whole week during which the award is competed for and awarded is referred to as the “Tage der deutschsprachigen Literatur” (the days of German-language literature). Since 1989, the whole competition, including all the readings and all the judges’ arguments are shown on live TV, before, the public was only shown excerpts. The writers in question are not usually unknowns, nor are they usually heavyweights. They are all more or less young writers but they don’t have to be novelists. Actually, poets tend to do well. Lutz Seiler, one of Germany’s leading and best poets, won the competition in 2007, and his first novel wasn’t published until last year. This year’s winner is the extraordinary Nora-Eugenie Gomringer, daughter of one of Germany’s greatest living poets, Eugen Gomringer, and an excellent and influential poet and slam poet in her own right. She hasn’t published fiction yet, but her extraordinary feel for language allowed her to sway enough jurors to her cause. At 37 years of age, she’s I believe the oldest of the three prize winners.

One of the two other prizes voted on by the jury went to Dana Grigorcea, whose debut novel Baba Rada I’ve reviewed recently in anticipation of her reading. She read an excerpt from her forthcoming novel which is extremely different from her debut novel, as far as I can tell from the text she read. It’s a much more detail oriented, carefully sculpted, sober text about a childhood and adolescence in Bucharest, just as the country went through its own pangs of change and maturation. No wild metaphors, murders or insanity in this book, but from what I can tell, it’s the same exquisite writing.

You can, if your German is up to it, see videos of all the readings and jury discussions from this year’s TDDL here (though I’m not sure how long they’ll be available online) and you can find all the texts as .pdf files here.


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