Müller, Herta (2018), Father’s on the Phone with the Flies, Seagull
Translated by Thomas Cooper
I reviewed the first major translation of Herta Müller’s poetry for Full-Stop:
Internationally, Herta Müller is best known as a novelist, but since winning the 2009 Nobel Prize in Literature, Müller has not published a single novel or collection of short stories. Her publications since 2009 consist of essays, interviews and — poetry. Indeed, this is the first time since her earliest days as a writer that Müller does not use narrative prose as her main mode of writing. In the 1980s, Müller abandoned her youthful poetry in favor of writing short narrative prose — and eventually, novels. It is as a novelist that she became famous and critically acclaimed. Yet her beginnings as a poet — much like Thomas Bernhard’s — have shaped not just her early prose, but much of her subsequent writing. Regrettably, as with Bernhard’s poetry, her first translated poetry for an American audience is marred by a translation that does not rise to the challenge and promise of the text. A warm and vibrant poetry is turned into small, dour, humorless lumps, like a game of Chinese whispers among IRS employees.
You can read the rest here.
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