So after blogging 26 reviews in 2016 and 2015 each, I happened to post 33 reviews this year, despite some quiet months without any reviews. An alphabetical list of the books under review this year are below, with very brief commentary.
Melinda Nadj Abonji: Fly Away, Pigeon: A Swiss novel about a not entirely common immigrant experience. Solid writing, sometimes very good. Compelling discussion about how wars in their home country can affect immigrants, and how that might change our view of them.
Charlie Jane Anders: All the Birds in the Sky: Regrettably reactionary/conservative book that is wildly imaginative and entertaining otherwise.
Nina Allan: The Race
Nina Allan: The Rift: Nina Allan is one of the brightest stars in contemporary science fiction, although it’s maybe questionable to what extent her books are science fiction. The contrast with Anders’s novel highlights the missed opportunities in the latter.
Chetan Bhagat: The Three Mistakes of my Life: Oh God no. I regret reading this. The only book I read in 2017 that rivals this level of awfulness is Robert Waller’s bizarrely bad Bridges of Madison County, which I didn’t review on the blog.
Sophie Campbell: Shadoweyes: I admire Campbell’s art so much. She is one of my three favorite artists in comics. I bought a Teenage Mutant Ninja Turtles trade paperback last month just because of her art. And somehow, improbably, Campbell’s writing is almost as good. This book is also beautifully produced.
Jacques Chessex: A Jew Must Die: Chessex is a great novelist and this is just a masterpiece of prose, control, tone.
Martina Clavadetscher: Knochenlieder: Imaginative, passionate, interesting Swiss novel about the near future, about communities, biology, inheritance, ecology. It’s not perfect, and it’s weaker in the second than the first half, but it’s darn good as is.
Paul Cornell: Witches of Lychford: Of all the books I read in this novella-sized TOR imprint, this one feels most like a genre exercise. I mean, it didn’t have to be a masterpiece like Kai Ashante Wilson’s book or Brian Evenson’s, but this is a bit thin, if very well executed. It could have been better: for example, Kij Johnson’s book in the same imprint, which I read but didn’t review this year, is a novella-length riff on Lovecraft that feels more relevant, necessary, interesting. Plus, there’s a bit of an ideological haut goût in Cornell’s book that didn’t sit well with me.
Wioletta Greg: Swallowing Mercury: Oh man. This is flat, and not great, and the translation feels dubious. Moreover, since writing the review, I read more books by and about Polish writer-immigrants in the UK which made me be simultaneously more interested in the topic and less interested in this particular book.
Dorothee Elmiger: Invitation To The Bold Of Heart. A young Swiss writer. Excellent, excellent novel. Dense, postmodern, but emotionally captivating.
Nathan Englander: Dinner at the Center of the Earth. Man, I love Englander. I don’t know that I can be in any way neutral about his work. Really enjoyed this novel. Really fascinated by the way it embedded borderline nonfiction elements like a biography of Ariel Sharon. A messy book about a messy conflict. Much better executed than his first novel.
Manuele Fior: 5,000 km per second. Fantastic, moving graphic novel. Written in Italian, translated into English. Everybody raved about it in 2016. Everybody was right.
Daniel Goetsch: Ein Niemand. No. One of four novels I read this year by a Bachmannpreis participant, and -hands down- the worst. His story that he read there was a bit worse still. The politics of who gets invited there puzzle me.
Nora Gomringer: Moden. Speaking of the Bachmannpreis: Nora Gomringer won it, she is fantastic, and she will be on next year’s jury. Here’s to hoping she’ll have better luck picking than 75% of her colleagues this year. Oh, also, someone go and translate her books already.
Shirley Jackson: Hangsaman. 2017 is also the year where I became a fan of Shirley Jackson. This is fantastic. Unbelievable. She is fantastic. Saving up to get the LoA edition of her short stories next year. There’s also a recent biography of her that I need to read. Man.
Gwyneth Jones: Proof of Concept. Another one of the TOR novellas. This one is among the very best I have read. I have admired Jones for years. So should you.
Theodor Kallifatidis: Masters and Peasants: Greek immigrant, living in Sweden. Today, people read mostly his crime novels because of the whole Nordic Noir thing. This is a very very interesting sorta-kinda autobiographical novel. Funny, devastating, strange.
Meral Kureyshi: Elefanten im Garten. Recommended to me by Adrian Nathan West, whose excellent novel I have read this year but not reviewed. This book is another Swiss immigrant tale. Not as strong as others I have read, and it often echoes other writers in the tradition, but still good, and certainly better than many books that have been winning awards for German-language literature these days.
Manu Larcenet: Ordinary Victories. This is unbelievably good. I was recommended this, and boy is this good. I have since read two more books by Larcenet, both of them excellent. One is the funny Bill Baroud, about a portly secret agent, and the other one the dark Blast, about, man. Things. Go and read Ordinary Victories. You will not regret it. I promise.
Barbi Marković: Superheldinnen. Another Bachmannbook. This one much stronger than her story. I adore this writer. Someone should translate this book into English.
Ben Mazer: February Poems. I greatly admire Ben Mazer’s poetry, and this is his best book. This year, Mad Hat Press published his Selected Poems which everybody should read.
Wyl Menmuir: The Many. Eh.
Denise Mina: Still Midnight. Denise Mina’s novels are a masterclass in how to write mystery fiction with meaning and a backbone.
Jerry Pinto: Em and the Big Hoom. Mediocre book about a shitty son. It has been reviewed extremely positively, so who knows. Maybe it’s me. (it’s not).
Sasha Marianna Salzmann: Ausser Sich. One of the best books I read all year, and almost certainly one of the three best German-language novels of the year. The other two are Michael Roes’s Zeithain, and Peter Handke’s elegiac Die Obstdiebin, neither of which I reviewed here.
Samanta Schweblin: Fever Dream. One of two fantastic Argentinian books I read this year. The other one is Mariana Enriquez’s story collection Things we lost in the fire, which I didn’t review but still might. Both books were translated by Megan McDowell, and while the translations seem a bit off here and there, the books themselves are extremely strong.
Luan Starova: My Father’s Books. A Macedonian memoir-novel. Lovely. Read it.
Elizabeth Strout: My Name is Lucy Barton. A book with many plaudits. Didn’t particularly like it. Strong execution. Hollow core.
Walter Tevis: The Man Who Fell To Earth. Fantastic science fiction classic about alienation, loneliness, hope and loss. Essential.
Lewis Trondheim/Stéphane Oiry: Maggy Garrisson. French graphic novel about a female private detective-in-training. Writing and art are lovely. Cannot wait to read more.
Juan Pablo Villalobos: Down the Rabbit Hole. Really good Mexican novel about the drug trade from a child’s eye. This tired trope is invested with some interesting new energy in this book. Good not great. If you look for something to fill that Yuri Herrera shaped hole in your life, this ain’t it.
Klaus Cäsar Zehrer: Das Genie. Interesting story. Terrible, boring, blasé execution. Someone, please, someone write a novel about the same person, but with some proper literary skill.
So that’s that. I’m incredibly grateful for every reader and commenter on this blog. Thank you.