From David Plante’s Three Difficult Women
From David Plante’s Three Difficult Women
For the first time in what feels like forever, I will be having a holiday-holiday, and not just a handful of days wrapped around a conference. I will be spending a few days in Tallinn next week – and afterwards a few days in Helsinki. Anything you can recommend me in the way of spending my time in Tallinn? Or things to read? I am currently reading Sofi Oksanan in preparation for the trip. Tipps? Suggestions? What is essential to eat?
I sent a couple of poems away to a competition two days ago and it makes you wonder as you look at the pile of poems that you’ve amassed since your last book: is this really you? Can’t you do this better? Didn’t you write something last week that you liked better that you think works better that is smarter more lyrical more worth pouring into poetry but then you look at that and it already congealed into strangeness and it feels like a selfie you took last week where you have too many chins and awkward hair and didn’t your face look better – I mean I take a load of selfies for various reasons and you know those jokes and sketches where a guy in the mirror mirrors all your movement, tricking you into believing they are real and meanwhile you look at the screen saying: oh, that guy looks nothing like the guy in the mirror, nothing! but you look at your selfie and you scream that guy looks nothing like me and for fuck’s sake this isn’t even Heraclitus, this is just embarrassing to be honest and you know what’s embarrassing? These poems, and you don’t know who to show them to for triage because you don’t want to be embarrassed in front of people you genuinely respect so you sit on the floor in a pile of poems and your weird face looks up at you from every angle, bald spot here, strange torso here and so on and on until you go blind and dissipate nec corpus remanet
So I saw the Breeders in concert recently, which was quite exhilarating as an experience for a lifelong fan of the band who has never seen them on stage.
So I have a lot of books in this apartment of mine, they are sprouting like a malignant plant and God knows there are many, many unread one – it’s not just a museum of The Things I Have Read, I keep buying books like a meth addict. And sometimes there are whole writers whose work I have surreptitiously acquired in bits and pieces but never gotten around to read. I don’t know how long I will have to wait to shuffle off my mortal coil but while I am forced to stick around, I keep digging into these shelves, adding things, replacing things, reading, reading, reading. I have no real prejudice when it comes to genre, though I obviously have strong opinions when it comes to quality. My books are in three languages, the three I read most easily, German, English and French, though I have a small brace of Russian books here. As I type that last sentence, I am left to wonder whether I have written this prose piece before, whether I have forgotten that I wrote it, whether my life or my memory of it which, ultimately, is the same thing, have folded in on each other again. My memory is notoriously bad. I write about books here so as not to forget. Between the ages of 14 and 25 I had read Dostoevsky’s “Crime and Punishment” more than 6 times, as somehow, the previous readings had left no permanent imprint in my brain – and I was delighted again, every time. Sometimes I have a memory of some text or voice and it sits in some recess of my brain like an angry, cornered rat, attacking my present thinking. That is another reason to keep all these books around; I can get up and pick books off the shelves until I find the text whose ghostly memory haunted whatever I was presently reading. But primarily, these books are not about the present or the past – they are about the folds of future possibilities. These malignant plants that have taken over all the walls in this apartment and some of the floors and night stands and window sills they are the texts and books that I might read in whatever time I have left remaining. So I write and write and write, a poem or an essay per day and I read from these books, these walls of paper and how could I ever switch to ebooks: my life is here, printed and bound and sorted onto shelves. It cannot be deleted with a push of a button and neither can I. Like a cockroach, i stick around.