measuring his need

So I’ve been discovering the amazing poetry of John Matthias. The book I’m reading (only book I was able to find in a library) is Northern Summer: New and Selected Poems 1963-1983 and I highly, HIGHLY recommend getting it, reading it etc. He’s damn, damn good. Here is one of the poems.

John Matthias: You Measure John

For posterity you measure John.
For the catalogue
you measure with a tape
his works
and recognize yourself as woman
among women
in the life of this man John, his death.

You measure for the catalogue
the pictures
and their frames
thinking of the others
measuring his need
measuring his pride (who could not
please himself)
measuring his gypsy caravans of children
as he went away to paint, badly,
the famous and the rich.

No, you do not like Augustus John.
Measuring the thickness
of a new biography you offer me
I think –
not. You tell it simply
and with no embellishments yourself.
It is an old story:
some man damages the lives of women
who would love him.
There are various excuses.
One is art.

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Partir. / De toute façon partir

Henri Michaux – Le jour, les jours, la fin des jours (Méditation sur la fin de Paul Celan)

Sans qu’ils parlent, lapidé par leurs pensées
Encore un jour de moindre niveau. Gestes sans ombres
A quel siècle faut-il se pencher pour s’apercevoir ?
Fougères, fougères, on dirait des soupirs, partout, des soupirs
Le vent éparpille les feuilles détachées
Force des brancards, il y a dix huit cent mille ans on naissait
déjà pour pourrir, pour périr, pour souffrir
Ce jour, on en a déjà eu de pareils
quantité de pareils
jour où le vent s’engouffre
jour aux pensées insoutenables
Je vois les hommes immobiles
couchés dans les chalands
Partir.
De toute façon partir.
Le long couteau du flot de l’eau arrêtera la parole.

The poem of my life

A poem by Adrienne Rich from the sequence “Twenty-One Love Poems”. This is poem #2

I wake up in your bed. I know I have been dreaming.
Much earlier, the alarm broke us from each other,
you’ve been at your desk for hours. I know what I dreamed:
our friend the poet comes into my room
where I’ve been writing for days,
drafts, carbons, poems are scattered everywhere,
and I want to show her one poem
which is the poem of my life. But I hesitate,
and wake. You’ve kissed my hair
to wake me. I dreamed you were a poem,
I say, a poem I wanted to show someone . . .
and I laugh and fall dreaming again
of the desire to show you to everyone I love,
to move openly together
in the pull of gravity, which is not simple,
which carried the feathered grass a long way down the upbreathing air.

from

My wounded beauty

Frank O’Hara: Mayakovsky

1
My heart’s aflutter!
I am standing in the bath tub
crying. Mother, mother
who am I? If he
will just come back once
and kiss me on the face
his coarse hair brush
my temple, it’s throbbing!

then I can put on my clothes
I guess, and walk the streets.

2
I love you. I love you,
but I’m turning to my verses
and my heart is closing
like a fist.

Words! be
sick as I am sick, swoon,
roll back your eyes, a pool,

and I’ll stare down
at my wounded beauty
which at best is only a talent
for poetry.

Cannot please, cannot charm or win
what a poet!
and the clear water is thick

with bloody blows on its head.
I embrace a cloud,
but when I soared
it rained.

3
That’s funny! there’s blood on my chest
oh yes, I’ve been carrying bricks
what a funny place to rupture!
and now it is raining on the ailanthus
as I step out onto the window ledge
the tracks below me are smoky and
glistening with a passion for running
I leap into the leaves, green like the sea

4
Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.

The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.

It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.

Mark Doty reading

The great poet Mark Doty reads his poem, “A Display of Mackerel.” Click here for the video. I strongly recommend you get Doty’s ‘new and selected poems’ volume Fire to Fire. Here is the poem read in the video just linked.

Mark Doty: A Display of Mackerel

They lie in parallel rows,
on ice, head to tail,
each a foot of luminosity

barred with black bands,
which divide the scales’
radiant sections

like seams of lead
in a Tiffany window.
Iridescent, watery

prismatics: think abalone,
the wildly rainbowed
mirror of a soapbubble sphere,

think sun on gasoline.
Splendor, and splendor,
and not a one in any way

distinguished from the other
—nothing about them
of individuality. Instead

they’re all exact expressions
of the one soul,
each a perfect fulfilment

of heaven’s template,
mackerel essence. As if,
after a lifetime arriving

at this enameling, the jeweler’s
made uncountable examples,
each as intricate

in its oily fabulation
as the one before
Suppose we could iridesce,

like these, and lose ourselves
entirely in the universe
of shimmer—would you want

to be yourself only,
unduplicatable, doomed
to be lost? They’d prefer,

plainly, to be flashing participants,
multitudinous. Even now
they seem to be bolting

forward, heedless of stasis.
They don’t care they’re dead
and nearly frozen,

just as, presumably,
they didn’t care that they were living:
all, all for all,

the rainbowed school
and its acres of brilliant classrooms,
in which no verb is singular,

or every one is. How happy they seem,
even on ice, to be together, selfless,
which is the price of gleaming.

Incredible Light

Not owning the Collected Poems edited by Michael Davidson, I rely on bits and pieces scrounged online for my fix of Oppen, such as this here.

George Oppen: The Forms of Love

Parked in the fields
All night
So many years ago,
We saw
A lake beside us
When the moon rose.
I remember

Leaving that ancient car
Together. I remember
Standing in the white grass
Beside it. We groped
Our way together
Downhill in the bright
Incredible light

Beginning to wonder
Whether it could be lake
Or fog
We saw, our heads
Ringing under the stars we walked
To where it would have wet our feet
Had it been water

They love each other. There is no loneliness like theirs.

In a dark time, I reach sometimes into my shelves for Wright and poems like this

James Wright: A Blessing

Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.